This is a hugely entertaining and engaging fantasy from a most promising debut US author.
Mapped world
Paul Durham creates a self-contained and relatively small scale fantasy word centered around a 'medieval'-feeling small town which he calls Drowning. So far this is fairly conventional. There is even the usual hand-drawn picture map, although I have to say that I actually found this one more helpful in following and locating incidents from the story than is often the case. The author's naming of locations shows some originality and wit and avoids the annoyingly obscure and unpronounceable. There is an entertaining glossary too, of 'Drowning Mouth Speak', that adds nicely to the character and atmosphere of the place.
Original imagination
Built on this is much that it even more inventive and original, which begins to place this book well above the general run of somewhat tired post-Rowling children's fantasy. I am delighted to say that there are no orphans here (each of the main child characters appears to have at least one parent), no portals to another world and, best of all, no prophesy to be fulfilled. What there is instead is a relatively complex set of interactions between the villagers, its 'feudal' lord and his soldiers, and a horde of truly hideous and threatening monsters, the Bog Noblins. Added to these are a very intriguing, mysterious and probably morally rather dubious band of monster-fighters, the Luck Uglies - if indeed they exist! It all makes for an exciting romp with a good many mysteries to unravel and, of course, a group of likeable children to do it.
Strong girl lead
Rye, the book's protagonist, is in many ways a very modern girl. Much of her thought and speech is woven through with language and ideas that have a distinctly contemporary feel. Were this a historical novel then these would be anachronistic and a problem. But this is not a history, it is a fantasy and makes its own rules and realities. Paul Durham cleverly succeeds in merging these modern elements and the fantasy 'medieval' setting in a way that will help the book's intended young readers identify with the characters and cope with the deliberate and intriguing strangeness of its world. How much better, in fact, that Rye and her friends speak something close to the language of the readers than had the author misguidedly opted for some form of phoney 'olde worlde' talk. It also means he can throw in quite a few good, incongruously jokey passages too. I particularly enjoyed baby sister Lottie being potty trained using the Drowning village equivalent of marbles in a jar.
Great characters aplenty
In fact it is the sympathetic nature of Rye and her young friends, together with other characters such as her mother and sister, that makes the story so engaging - and the threats they face so frightening. Further, Paul Durham peoples his relatively small fantasy world with a very rich and diverse range of largely original characters, both human, animal and other. Many of these are strengthened by a fair degree of complexity and ambiguity. Even though the lord of the manor, Longchance, is as cartoon evil as they come (think Sheriff of Nottingham), other characters are, interestingly, often neither wholly good nor wholly bad. Indeed it is the unknown and possibly unknowable qualities of the Luck Uglies, the monsterous Bog Noblins, and the principal adult character, (who Rye calls Harmless) that give the book much of its originality and strength. And at the heart of everything lies the intriguing development of Rye's relationship with Harmless. But no more of that; no spoilers here.
More to come
Other potentially very interesting minor characters are introduced and not fully developed in this book, but then it is clearly conceived as the first of a sequence, so hopefully there is more of these characters to come. Other elements of the storyline remain intriguingly unresolved too. However the circular structure of the narrative, ending where it began on the rooftops of Drowning, but with Rye having moved on so much as a person, is very satisfying. I do hope, though, that the author is going to develop this work into a well-shaped trilogy or quartet and not let it degenerate into a sprawling, repetitive series instead. The characters and ideas here deserve better.
Ultimately this is a great start, well worth anyone's read and will, I am confident, delight and enthrall countless children. It seems to flag up a writer of considerable potential. He may well produce even greater in time.
UPDATE
Since I wrote this post, the trilogy has been completed, and is as rounded and well-developed as could be wished. The outstanding qualities of the first book have been fully maintained. Indeed they have been delightfully extended, and this whole sequence is highly recommendable. Well worth seeking out for 9-12 readers.