I was delighted when I discovered the children's novels of Kate Milford (see my post from Sept. '16) and this, her latest book, has only added to my considerable admiration. One of the remarkable features about her work is that whilst each of her books is in many respects quite different from the others, and they certainly do not constitute a sequence as such, that are all related in some way. Sometimes it is a place that is common, sometimes a character, for example the same character who has appeared as an adult in one book, appears as a young boy in another, with a much earlier setting. This means that each book builds further understanding of her world, bringing revelations which excite, thrill and intrigue, as they build into an ever more rich and amazing storyscape.
Another remarkable feature common to all the books is an idiosyncratic mixing of genuine history and hugely imaginative fantasy. It is an alalgam which ought not to work. It is one which would perhaps leave some actual historians aghast. But in the hands of this fine writer it actually comes off superbly and gives a reading experience which is as refreshing as it is enchanting, as magical as it is educative, and, at the end of it all, as moving as it is enthralling. Kate Milford's history is always exceedingly well researched and convincingly recreated. It is generally place specific, as well as time specific, featuring US locations, and covering periods from the 19th and early 20th centuries. This American history should not put off UK readers. It is totally accessible, always well enough contextualised and explained to make complete sense, and is indeed all the more fascinating for being rather less familiar. This is most valuable education in hugely enjoyable fictional form. We, over here, should be more aware of the history and heritage of our global neighbours across the Atlantic.
As the other principal ingredient in her fictional mix, Kate Milford's fantasy is also in many ways very American. It owes more to folklore and sometimes even religion than do the more conventional mythology-based worlds of dragons, wizards and the like. It is however equally imaginative, with the added thrill of originality, quirkiness and surprise. This strange and sometimes frightening fantasy quietly shares the reality of her history, lurking beneath the surface, or existing in startling parallel. Her world is a fictional joy, and very hard to describe. You really must explore it for yourself.
In this book her historical setting is primarily the English/French conflict of the Napolionic Wars, specifically its working out in a naval context. However since much takes place on a ship sailing in and out of US ports, primarily Baltimore, this is further complicated by the US declaration of war on England. However all the complexities of this situation are very skilfully and smoothly explained as an integral part of the narrative. The whole first part of the book struck me as very much a children's version of Patrick O'Brian.* And I mean that very much as a compliment. I have long loved O'Brian and this homage pays tribute without being in any way derivative. The Left-Handed Fate has all the features which make O'Brian's adult novels such a wonderful read; history brought vividly into focus, the authentic detail of life at sea on a large sailing ship, exciting sea battles and engagements, yet all underpinned with the human interest of hugely engaging protagonists and a rich cast of minor characters. It is quite beautifully done. Kate Milford's young characters really are endearing, often highly amusing and sometimes deeply moving too. Their banter is a constant delight and so are the relationships which develop, shift and grow, both between them and with the adults.
Kate Milford does not shy away from really important issues either. There is an underlying questioning of war and what it means, and indeed a strong thread of pacifism throughout. There are very real and very moving passages about war and it's realities, not least the account by a sailor of French nationality of the horrors he witnessed in his homeland during the massacres in the Vendee, following the post-revolutionary 'terror'.
On top of all this though is the fantasy element; demonic villains, a supernatural ship and its terrifying crew, an amazing ancient machine, whose nature turns out to be as magical as it is scientific (or in the book's terms 'philosophical '). Above all is the truly amazing town/port of Nagspeake, which has to be seen (that is, read about) to be believed. It is truly every bit as imaginative and magical a creation as anything in J K Rowling. Simply joyous.
I cannoy recommend this book highly enough for young UK readers, and indeed any in the US or elsewhere who have not yet discovered it. It is a wonderful read, and an important new addition to a corpus of work which is even greater than its individual parts. This is a highly significant writer in terms of the canon of fine children's literature worldwide, with a such a refreshingly unique imagination that you really should not miss her.
Like the two books I reviewed previously, this is a handsome physical volume. I have only one small quibble though. Although attractive in themselves, I find the illustrations don't quite work for me. The very simplified drawings of the characters are too cartoony and don't really accord with the convincing and untimately very touching 'reality' that this author achieves with her textual creations. I far prefer the pictures in the two earlier books, which to me enhance the text far better. But this is a very minor quibble and does not detract from the considerable enjoyment I derived.
I have set aside another of her recent books, Greenglass House, for my Christmas read, and must also catch up on the two novellas which are currently only available as e-books. That is a format I do not really much like reading, but for Kate Milford I will certainly make an exception.
*Note: I had already written the draft of this review when I read Kate Milford's acknowledgment of the influence of Patrick O'Brian's naval novels on The Left-Handed Fate. So I got that one right at least.
