Cover: Julian De Narvaez
A shelf-full of delights
Children’s author, Emma Carroll has good reason to feel very proud of the remarkably long line of novels that she has produced since her 2013 debut, Frost Hollow Hall. They now fill almost a whole shelf (if your bookcase is not too wide).Young readers have good reason to feel enormously grateful too, for her books are a wonderful addition to the store of children’s literature, both individually and collectively. Each is somewhat different in content and tone, each being set in a different places at, largely, different times in history, so inevitably some will appeal more to some children than others. But each is an enchanting read, in its own way, and many young readers, I know, avidly devour each title of hers as soon as it is published, as, indeed, do I. Thankfully, we never seem to have too long to wait.
Favourites
Amongst my own particular favourites are Letters from the Lighthouse, one of the best younger children’s WWII stories of recent years, and Strange Star, a lyrical ghost story built loosely around Mary Shelley’s writing of Frankenstein, perhaps best suited to somewhat older children or ‘tweens’. And now there is a further volume to add to my shelf, and to my favourites, because The Somerset Tsunami is another particularly sparkling gem amongst Emma Carroll jewels.
A new favourite
This time we are taken back to the England of 1616. But, as in many of her books, Emma Carroll does not pretend to write history as such, rather to borrow elements of history as the background to a completely engaging, and viscerally exciting, story of her own. Yet there is much history to be learned from its pages, even if this is not the book’s principal purpose. As the twin foci of this story, she cleverly intertwines a historically attested huge, sudden and violent sea surge (the ‘tsunami’ of the title, even if it would not have been identified in that way at the time), with the witch hunts horribly real enough under the patronage of King James I. It is very much to the author’s credit, and a testament to her writing skill and experience, that she succeeds in conveying this horror to her young audience in a way that disturbs in its total unfairness and injustice, as it must, but without ever descending too far into the most gruesome details of historic practice.
Girls and boys . . .
Most importantly for me though, this is a strongly feminist novel. Yet, despite having a wonderfully strong, ‘modern’ and plucky hero in the highly memorable character of Fortune Sharpe, it does not make its point by overtly preaching. Rather, it does so by continually pointing up the truly horrendous attitudes to women endemic in this period of history. Through this, it implicitly raises questions as to how much better things are (or aren’t) in our own time..
Wonderfully, too, Emma Carrol does not ignore the equally important issue of stereotyping boys. When Master Ellis, son of a prominent landowner and merchant, displays aspirations to become a travelling acrobat, his grotesquely prejudiced father tries instead to ‘make a man’ of him. That Ellis is shown to succeed in being his own self, despite such depredation, is one of the many triumphs of the book. In fact this is a title that celebrates, as strongly as any children’s novel I have read for a good while, the importance of children being who they need to be, despite all the pressures of social stereotyping,
I hope that it will be widely read and enjoyed by both girls and boys, as both a valuable window on the appalling attitudes and treatments of the past, and an invaluable reflection on how much they have changed, and how much they still need to change in our own societies. It certainly deserves to be.
. . . and books
And of course it is a great read into the bargain.
Long live tolerance. Long live diversity. Long live books.
Long live the right to be who we choose to be. Long live the right to read what we choose to read.
